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Canada Lee

Born:  March 3, 1907

Birthplace:   Manhattan, NY

Died:  May 9, 1952

Place of Death:  Manhattan, NY

Zodiac Sign:  Pisces

Career and Life

Canada Lee (born Leonard Lionel Cornelius Canegata) was an American actor who pioneered roles for African Americans. After careers as a jockey, boxer and musician, he became an actor in the Federal Theatre Project, most notably in a 1936 production of Macbeth adapted and directed by Orson Welles. Lee later starred in Welles's original Broadway production of Native Son (1941). A champion of civil rights in the 1930s and 1940s, Lee was blacklisted and died shortly before he was scheduled to appear before the House Un-American Activities Committee. He furthered the African-American tradition in theatre pioneered by such actors as Paul Robeson. Lee was the father of actor Carl Lee.


Lee discovered a love for Broadway theatre during his years as a prizefighter. He remembered Show Boat as the first stage production he ever saw: "A big, tough fighter, all muscle, just sobbing," he recalled.


His acting career began by accident in 1934. While at a YMCA to apply for a job as a laborer, Lee stumbled upon an audition in progress and was recognized by playwright Augustus Smith. Lee was invited to try out, and won a supporting role in Brother Mose, directed by Frank H. Wilson. Sponsored by New York's Civil Works Administration, the show toured the boroughs, playing at community centers and city parks into the fall of the year. In October 1934 Lee succeeded Rex Ingram in the Theatre Union's revival of Stevedore, which toured to Chicago, Detroit and other U.S. cities after its run on Broadway. It was his first professional role.

Lee became a star overnight in his ultimate stage success, Native Son (1941), an adaptation of Richard Wright's novel staged on Broadway by Orson Welles. The show was a spectacular hit for both Welles and Lee, who starred in the initial New York run, a 19-month national tour, and a second run on Broadway with accessible ticket prices. "Mr. Lee's performance is superb," wrote Brooks Atkinson of The New York Times, who called him "certainly the best Negro actor of his time, as well as one of the best actors in this country." Wright also applauded the performance, noting the contrast between Lee's affable personality and his intensity as Bigger Thomas. The sympathetic portrayal of a black man driven to murder by racial hatred brought much criticism however, especially from the Catholic Diocese of Brooklyn and the Legion of Decency, and the ensuing pressure forced the play to close.


He became the first African American to play Caliban, in Margaret Webster’s 1945 Broadway rendition of The Tempest. Lee had admired Shakespeare since his turn in Macbeth; indeed, at the time of his death he was preparing to play Othello on film.

In the autumn of 1946 Lee made American theatre history when he portrayed the villain Daniel de Bosola in John Webster's The Duchess of Malfi. Presented in Boston and on Broadway, the production marked the first time a black actor had played a white role on the stage. Lee wore a special white paste that had been used medically, to cover burns and marks, but had never before been used in the theatre.

Lee died of a reported heart attack at the age of 45 on May 9, 1952, in Manhattan. It was later revealed by his widow, Frances Pollack, that he had been diagnosed with uremia and died of kidney disease, slipping into a coma and passing away 10 days after his diagnosis.


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